Cas Lemmens

Inspiration

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music Alloe Blacc Billy Jean michael jackson strings

My fellow followers might remember I posted Alloe Blacc playing Billy Jean a while ago. He’s doing it again, this time with nothing more than a group of strings, and his own voice. 

Brilliant version, one that shows once more how talented he is, how natural his voice sounds and how much he loves and appreciates R&B music.

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html browser mac nostalgia netscape
Reblog
Reblogged from freshderpy

When regular HTML and style attributes were still considered ok.

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war photography mccullin pictures documentary movie

I have always admired war photographers, those who risk their life to bring the horrific reality of war to cosy dinner tables on a Sunday morning. Yet many of those photographers see their purpose in the money, more than the humanity of it.

Don McCullin, is not one of them. This documentary shows his dedication, passion and motivation for following numerous wars over the passed century. An inspiring man identifying the importance of independent photography and journalism.

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mac apple electronic computer organized

It would be singularly simple-minded to believe that written words can do anything more than remind one of what one already knows.

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knowledge remember mind writing text socrates

Socrates - believed writing could never be anything more than a cue for a memory, a way of calling to mind information already in one’s head. He feared that writing would lead the culture down a treacherous path toward intellectual and moral decay, because even while the quantity of knowledge available to people might increase, they themselves would come to resemble empty vessels. 

Ironically, without writing, I could have never posted this quote, nor would I have had to. Then again, how long does it take you to click on the Socrates link to Wikipedia, so you can remember who he really was?

(Source: amazon.com)

Pixar’s 22 Rules of Storytelling

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storytelling pixar brainstorm inspiration list rules
  1. You admire a character for trying more than for their successes.
  2. You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
  3. Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
  4. Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
  5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
  6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
  7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
  8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
  9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
  10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
  11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
  12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
  13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
  14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
  15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
  16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
  17. No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
  18. - You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
  19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
  20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
  21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
  22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

We are toolmakers: we use stick to reach for high foot, so it’s a tool to augment our reach. Likewise every piece of consumer electronics, software or service that we’ve made are all augmentations of our abilities as humans. And when the augmentation really works, then that extension of yourself feels natural, beautiful, does what you want and doesn’t get in the way.

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interface design interaction tools augmentation mobile
Blaise Agüera y Arcas, architect of Bing Mobil and Bing Maps
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hacker fixer fix tinkering manifesto

Also improvable on Github.

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